“器官”--Julie Morel
luyued 发布于 2011-06-24 20:25 浏览 N 次
ALONE Julie Morel Julie Morel 作为一名法国平面设计师,参与了一系列个人与集体的展览,影视装置艺术和互动项目。但真正引起Yatzer注意的是她的“器官”展览。
“器官”是一个大型的绘画作品,这是与Jocelyn Cottencin合作的一个项目,主要利用版面编排的衍生。EMPTY Julie MorelMorel的作品总是在事实和虚构,图形艺术和绘画,记忆和潜意识之间游走。所运用的符号“手指”,“空”,“独”,“无”和“空白”都孕育了一种有机的转变,对肌理的整理。在具体课题的选择上确实不为观众掌握,因为它会让观者产生许多想法和思想碰撞。诚然,强烈情绪对她的画作的影响,正是Morel的目标。“..我创作的出发点便是对我自己的潜意识,记忆,习惯及假设的挑战”。LICK MY FINGERS Julie Morel很明显,她已经在她研究的绘画编码过程中充分学习到了导入感官刺激的解释。将每个单词中的字母扩大到最大,并与他们相互交织在一起,就像凝结的肉体。该信息通过每个单词的传达带给观众强烈的视觉刺激,因为它们有连接的纽带存在,利用一种有机肌理,创建了一种不寻常的感受。FEEL LIKE MY HEARTWAS THROWN IN A BLENDER AND SOMEBODY SWITCHED IT ON Julie MorelJulie Morel持有在巴黎和里昂的国家高级美术学校学位,并获得了众多奖项和奖学金。她确信她的目标“对潜意识以及对字体与印刷的传统观念的挑战”一定会成功。NOTHING Julie MorelBLANK Julie Morel text by Katerina Biliouri for Yatzer 中文翻译:刘子玮 原文Julie Morel is a French graphic designer with a number of solo and collective exhibitions, video installations and interactive projects. But what really caught Yatzer's eye is her "Organs".
Organs is a series of large scale drawings, derived from the typography of the same name, which was developed in collaboration with Jocelyn Cottencin.
Morel's drawings are lingering between fact and fiction, graphic art and drawing, memory and subconscious. Words such as "fingers", "empty", "alone", "nothing" and "blank" are transformed into an organic synthesis, reminding of organic flesh. The choice of the specific subject is definitely not the easiest for the viewer to grasp, as it creates numerous thoughts and reactions. However, the strong emotional impact of her drawings is exactly Morel's aim. According to the artist " .. the starting point of my work is a challenge to my subconscious, memory, habits, and assumptions".
It is obvious that she has fully studied the interpretation of incoming stimuli through the encoding process of her drawings. The letters in each word are extended to their maximum and are intertwined with one another, just like flesh. The messages conveyed from each word have a strong impact to the viewer, as they are connected to something alive, to an organic substance that creates a strange unusual feeling.
Julie Morel holds degrees from the National Superior Fine Art Schools in Paris and Lyon and has been awarded with numerous prizes and grants. She definitely succeeds in her goal; her work is a challenge to our subconscious and our perceptions on letters and typography.
“器官”是一个大型的绘画作品,这是与Jocelyn Cottencin合作的一个项目,主要利用版面编排的衍生。EMPTY Julie MorelMorel的作品总是在事实和虚构,图形艺术和绘画,记忆和潜意识之间游走。所运用的符号“手指”,“空”,“独”,“无”和“空白”都孕育了一种有机的转变,对肌理的整理。在具体课题的选择上确实不为观众掌握,因为它会让观者产生许多想法和思想碰撞。诚然,强烈情绪对她的画作的影响,正是Morel的目标。“..我创作的出发点便是对我自己的潜意识,记忆,习惯及假设的挑战”。LICK MY FINGERS Julie Morel很明显,她已经在她研究的绘画编码过程中充分学习到了导入感官刺激的解释。将每个单词中的字母扩大到最大,并与他们相互交织在一起,就像凝结的肉体。该信息通过每个单词的传达带给观众强烈的视觉刺激,因为它们有连接的纽带存在,利用一种有机肌理,创建了一种不寻常的感受。FEEL LIKE MY HEARTWAS THROWN IN A BLENDER AND SOMEBODY SWITCHED IT ON Julie MorelJulie Morel持有在巴黎和里昂的国家高级美术学校学位,并获得了众多奖项和奖学金。她确信她的目标“对潜意识以及对字体与印刷的传统观念的挑战”一定会成功。NOTHING Julie MorelBLANK Julie Morel text by Katerina Biliouri for Yatzer 中文翻译:刘子玮 原文Julie Morel is a French graphic designer with a number of solo and collective exhibitions, video installations and interactive projects. But what really caught Yatzer's eye is her "Organs".
Organs is a series of large scale drawings, derived from the typography of the same name, which was developed in collaboration with Jocelyn Cottencin.
Morel's drawings are lingering between fact and fiction, graphic art and drawing, memory and subconscious. Words such as "fingers", "empty", "alone", "nothing" and "blank" are transformed into an organic synthesis, reminding of organic flesh. The choice of the specific subject is definitely not the easiest for the viewer to grasp, as it creates numerous thoughts and reactions. However, the strong emotional impact of her drawings is exactly Morel's aim. According to the artist " .. the starting point of my work is a challenge to my subconscious, memory, habits, and assumptions".
It is obvious that she has fully studied the interpretation of incoming stimuli through the encoding process of her drawings. The letters in each word are extended to their maximum and are intertwined with one another, just like flesh. The messages conveyed from each word have a strong impact to the viewer, as they are connected to something alive, to an organic substance that creates a strange unusual feeling.
Julie Morel holds degrees from the National Superior Fine Art Schools in Paris and Lyon and has been awarded with numerous prizes and grants. She definitely succeeds in her goal; her work is a challenge to our subconscious and our perceptions on letters and typography.
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