原文地址：时尚小魔女-卡门MizzZee作者：Model猎人

接受英国"Ni Hao"杂志采访 （去年的采访。这里翻译成中文。杂志简称为N, 卡门简称为Z）

N: From what experiences do you get your inspiration from?

请问你的灵感从何而来？
Z: In my youth, i watched alot of animation shows, and the themes and ideas within them dug deep into me, i also had a passion for drawing, so Designing would eventually become my forté. I was born and raised in a military university for 17 years, so i was exposed to the military way of life in my most influencial years, particularly the clothing, combined with the exposure of images in my youth, i began to mix alot of these things togethe-r, in my mind i could create unusual styles.

As for inspiration people, Eden Muse and Perish are the finest alternative models in my opinion, their creative output really spoke to me and i was shocked and amazed by their ideas, and i subsequently felt my inspirations grow too.

在我的少年时代，我观看了大量的动画节目，其中的主题和思想深度让我根深蒂固，同时我也热爱绘画，所以设计最终将成为我的专长。我出生在一所国防军事大学，并且在那里度过了17年。所以我接触到的生活军事方式对我最有影响力，尤其是在服装方面，我开始把不同元素混合放在一起，在心中创造不寻常的风格。

说到给我灵感的人，Eden Muse和 Perish在我心中是全世界最棒的非主流模特。他们的创造总能引起我的共鸣，我总是惊叹他们的天才想法，同时也感到自己收到了启发。
N: What is your favourite item of clothing?

你最喜欢什么样的衣服？
Z: Mainly short & tight dresses/skirts
"A Skirt should be like a paragraph, long enough to cover a subject, but short enough to keep things interesting".
简单的紧身短裙
“裙子应该像一个段落，长的正好能盖住一个主题，但又短的足以使事情变得有趣”
N: How would you describe your style?

你会如何形容你的风格？

Z: Style and trends have always seemed a bit a taboo to me, i prefer to remain alienated from conformity within styles, i believe this frame of mind is suitable for the designer who wishes to make a difference and stand out, rather than imitate. If i am to follow a style, it is for study and eventually i will use the idea to create my own styles.

对我来说固定的样式和趋势一直显得有些禁忌，我更喜欢留在风格上脱离格式打破条条框框，我认为这种心态是一个希望有所作为，脱颖而出而不是纯粹模仿的设计者所需要的。如果我要遵循一种风格，那是借鉴。最终我将使用这种想法创建自己的风格。

N: Have you done any work in Europe? Are there any differences?

你在欧洲有工作过吗？有什么区别？

Z: I have been to 4 cities in Germany where i have done photoshoots. Some of the sessions gave me only a day or even just a couple of hours for preparation, but this was down to the professional approach by the organisers, and they were so focused and serious about the shoot, which impressed me greatly. My favourite shoot was with Gili Shani, the time we had for this was very short, as we had to do 4 sets of shoots on top of a building within a 3 hour time limit, however, he knew exactly what he wanted and how to achieve the results, i felt an understand between myself and Gili, as the photographs he took turned out to some of my best yet, as if there wasn't any need for verbal advise, we simply forgot the surroundings, then fired the shot. I believe he really had an eye for what he visioned and I could see the vision also.When i saw the pictures, i was astonished, he really showed me his talent as a photographer & artist.

"Go Straight to what you really want, and the art will take care of itself"

我有在德国的4个城市做过模特。某些拍摄只给了我一天，甚至仅是几个小时的准备，但这是主办单位专业的做法，他们对待工作是如此敬业和集中精力，这留给我非常深刻的印象。我最喜欢的拍摄是与Gili Shani的合作，当时我们拥有的时间很短，我们不得不在3小时内在一个高建筑物顶部进行4项拍摄。但是，他非常的了解自己想要什么以及怎么得到自己想要的效果，我感到我和Gili之间有一种默契，他拍的照片成为了我最好的作品之一，好像有没有任何口头交流的需要，我们只是忘记了周围的环境，然后卡擦按快门。我相信那个时候我可以在头脑中浮现出他想要的是什么照片，我们的想法是一致的。当我看到这些照片时我感到很惊讶，他的确向我显示了一个摄影艺术家的才华。
“锁定目标去争取你想要的，艺术会自然孕育而生。”

N: What do you do to relax?
你做什么来放松自己？

Z: I find its very easy to relax, as I am very easygoing, and find many things theraputic, but mainly massages, reading and going to the gym.

我觉得放松很容易，我发现很多有治疗性的方法。基本上是按摩，读书以及健身。

N: What is your favourite food?

你最喜欢的食物是什么？

Z: I would say Japanese food. But since i was 16, I was always away from home and very rarely went back home, so any home-made food from my parents was the best food ever to me.

我会说是日本料理。但是自从16岁起我就离开家里极少回家。所以能够吃到父母做的菜对我来说是个奢侈。

N: How long does it take you to get ready when you go out to party?

你去参加派对前需要多久的准备时间？

Z: An hour or so, depending on what kind of party i am attending, dressing up in costume usually takes longer

一个小时左右，取决于什么主题的派对。需要夸张着装的一般时间长点。

N: with these perverse and psychotic people, do you think you have a simliar sort of mind so you can understand them better?

同这些叛逆的甚至有些精神问题人格分裂的艺术怪才相比，你觉得你和他们有什么共同点从而你能更好的理解他们？
（听到这个问题时心中一震，觉得这是我遇到的最好的最有深度的问题。在此佩服记者的水平）

Z: I believe all artists share 1 similar attribute and philosophy, that within their darkest moments, they can see a more clearer creative vision, even within the realms of the perverse or psychotic, elements of a person that show they are really in touch with their character, and thus they will really know what they want to achieve. Fundamentally, I believe I can get involved with people with such frame of mind, because overall, I am in touch with myself too, and I am willing to push the boundaries to get the results I see in my mind.

我相信所有的艺术家分享一样属性和哲理，那就是“在他们人生最黑暗的时候，或者神经最错乱的时候，他们会对自己的艺术，自己的观念甚至人格有个更清晰的认识，由此他们可以更知道该如何表达艺术。”基本来说，我相信我能和这些怪才有共通点，因为在某种程度上我也能更清晰透视自己，同时我也愿意去挑战固定格式达到我头脑中想要的。

N: Which artists you wish to work with in the future in alternative circle?

在非主流艺术家种你最希望将来和谁合作？
Z: Too many to name, the world is a cornicopia of talent, some that i frequently interact with, but differences are met and the current state of affairs in the world makes us drift apart. Particular photographers I want to work with are Dan Santoni, Jamais Vu & Destroy INC. There are many more that i could name who i wish to collaborate with.. Also Alifiere who taken some of Edens best pictures, incorperates a 'dangerous' feel into her shots. He told me "I already have the one in mind i want.. but its too dangerous. I will save it for you..you very well may die, but i will use a fast lens so, if you do.. we will get shots of the fall..”...And i feel i am totally ready for this....As for other models, i wish to work with Eden and Perish, to me, this would be a dream come true.

太多了一下子说不完。世界上有很多才华横溢的人才，我和某些人经常保持交流，但是由于种种原因比如目前国际形式的限制使我们渐行渐远。我特别想合作的摄影师有Dan Santoni, Jamais Vu 和 Destroy INC. 当然还有其他更多。还有Alifiere，他与Eden一起创造了一些最好的最危险的照片。他曾和我说过“我头脑种已经有一个想法，拍出世界上最危险的照片，但是这个拍摄想法会太危险了，你很有可能拍完就死了，但是我会在你死前抓住那个瞬间按下快门..." 我觉得我已经完全为此准备好了。至于想合作的模特，我希望能和偶像Eden和Perish合作。对我来说，这将会是一个梦想成真。

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